Little
Beasts
I am not
myself today. It isn’t because I am awash in all variety
of ruination — that my 17 year-old dog, Luna, died
in my arms last Wednesday or that my 100 year-old senile
grandmother — of whom I am the only grandchild — called
me Herman (her long deceased brother’s name), and told
me to milk the cows (I consented, hundreds of miles from
the nearest bovine utter). And it isn’t because Saturday,
just after the earthquake, I crashed a 1,600 name data base
or that my career, a phenomena that was once described as “rocketing,” has
blown an O ring. Or even because the latter circumstance
prompted several of my prozac-addled friends to elevate my
anxiety with cheery smiles and assurances that I am in the
throes of a mid-life crisis at the super nova stage, and
should seek therapy, pills, or both.
These things
are tenuous. Like Casablanca’s Rick I recognize a hill
of beans when I see one. Careers come and go, as do mental
states and temblors. What is the focus of my disquietude,
what was the crux of my distress, what is bothering me more
than anything else is Dylan.
Dylan,
an eleven-year-old, who was named in a folk-rock fit of passion
is, simply put, a spoiled little puke. He creates messes
that he has no intention of cleaning up. He defies his parents
who have developed the New Age, brain-heavy, limp-spine approach
to child-rearing. He purposely torments his seniors with
selfish and outlandish requests. He laughs in their faces
when they grovel to fulfill his wishes.
Dylan rules
and he knows it. And the reason Dylan rules is not because
he is more intelligent or stronger, or has more money, power,
or leverage. The reason Dylan rules is because he is a child.
David,
his father, is genteel… middle-aged… intellectual.
One of the goals of his life — a goal he shares with
his wife Melissa— is to create the perfect human. These
altruistic Dr. Frankensteins, both professors at the University
of California, have substantial incomes, and are admired
community-wide as hard-working, civic-minded and perceptive.
But they live in a black hole when it comes to the relationship
they have with their son, Dylan.
Personally,
I never cared for the little beast, but my niece likes to
play with him, so I endure. Today, however, is different.
I've changed. In this hot and shaky terrain I'm prepared
to take my stand. Inspired by all things dark and dangerous
I feel ennobled. I feel like an adult.
Today,
after a very enjoyable two-hour conversation — Offspring
and Sugar Ray, Mirror Ball and Stan Kenton, Van and Jim Morrison;
acid house and acid rain; John Wayne and Gacey. David and
I stroll into the living room. He gently tells Dylan that
it is time to stop playing — time to go home for dinner.
Dylan, however, who is playing at the X-box, objects. He
has another plan…and a means to accomplish it.
First there
is the body language — the disgruntled exhalation of
air, the tossing of arms to his side; next, the fierce look,
eye-to-eye with his father, lips curling back.
Then, out
it comes.
“No,” he
says. “No” in a seditious eleven year-old brat
way. “No” like I’ve heard him say hundreds
of times. It's a “No” that I feel in the pit
of my stomach.
After punctuating
his defiant glare, Dylan turns around, completely ignoring
his father, and continues play.
With a shrug of his shoulders, David laughs nervously and gives me the
ironic “What can you do?” sideways look.
A spark
arcs across uncharted territory in my gray matter. I sing
the body electric. I am awake with a revelation 10 times
more absolute than post-migrane clarity.
“Go
home, Dylan,” I say firmly.
“Why?” he
barks back.
The room
is still — a perfect moment.
“Because,” I
say, “It’s over.”
And it
is. David and Dylan leave.
I've been
told by David that Dylan is in the midst of developing his
personality. That soon his persona will be locked in place.
I am told that if something unnatural occurs during his development — before
that blessed point in his life that freezes his personality
(a point that, according to lore, I passed decades ago) — his
only escape will be years of psychiatric treatment.
Well-respected,
academic, child-rearing authorities address this doctrine
of confined development in Zen all-knowing, all-seeing seriousness.
They ordain the religion of a life lived looking backwards — always
defining potential with recollection.
Give Dylan
lots of space, room to grow. His bad behavior should be ignored,
and praise should be lavished on him. If all goes well he
will grow up uncluttered, non-dysfunctional, a model of creative
prowess. If all goes well, he will look back on his childhood
as the wellspring of all he is and all he will become.
But David’s
wellspring is now and he is being cheated by Dylan. Outside
of work, everything he does, every place he goes is based
on whether or not Dylan can go there too. There are little
league games and swim meets and guitar lessons and parenting
classes and the latest animated film classic and math tutors
and drawing classes ad infinitum.
Like millions
of other well-meaning young upwardly-mobile urban professional
do-gooders David is afraid to be disliked by his children.
He's afraid that in that moment of confrontation and denial
the child's innocence will be lost. And so it should be.
To be without
innocence is to want to be everything without ceasing to
be ourselves — a mystic secret, worth keeping. One
that I won’t waste on the little beasts.
— Nathan
Callahan, June 5, 1994
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